‘The Center Won’t Hold’ is the tenth studio album by the American alt/rock girl trio Sleater-Kinney, who continue to challenge the idea of what three women sound like when they create music together over the course of twenty-five years. Sleater-Kinney set a new bar for punk’s political insight and emotional impact. Now, at the height of their formidable powers, the three feminist icons continue to challenge themselves, break all the rules and push boundaries. This new creative chapter in the acclaimed band’s musical journey is poised to win over both longtime admirers and new fans alike.
‘The Center Won’t Hold’ is Sleater-Kinney’s midnight record on the doomsday clock. The rock’n’roll giants: Brownstein, Corin Tucker, and Janet Weiss, rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. The album addresses transformation as it relates to the corrosion and decomposition of forms. Fractured and frayed by age or by loss, by internecine politics, by trauma or depression, these eleven songs ask what remains of a body, a human spirit, a relationship, a city, a country. The narrators herein sing from the brink of madness, corruption, loss, or grief. And though they speak to us from the narrow, near desperate strands to which they are consigned by others, or upon which they’ve self-exiled—feeling small, fearing obsolescence—they ask to be heard on the most sprawling of canvasses. By couching these personal stories in a sonic palette that unabashedly takes up space, what remains is a tale of survival: a treatise on female friendship, inner strength, resilience, and community.
If ‘The Center Won’t Hold’ forces a reconsideration of a band people thought they knew, it’s due to the methodologies employed in the writing and making of the album. The tools upon which Sleater-Kinney had relied proved inadequate, both metaphorically and literally, so they sought new ones. They used the geographical distance between them, along with the larger uncertainty and brokenness swirling around them, as a means of inducing and exploring sonic change. Most concretely, they worked with producer Annie Clark (St. Vincent), who treated each song as its own world, letting them find a specific vernacular through careful construction and deliberation.