1973 live album.
Re-issue of Jefferson Airplane’s 1973 live album, ‘Thirty Seconds Over Winterland’ - with the famous “Flying Toaster” cover - on sky blue Vinyl via The Summer of ’69 campaign. The quintessential San Francisco based rock group Jefferson Airplane, defined the sound of the Bay Area in the 1960’s and were one of the pioneering sonic architects of psychedelic rock and among the first bands to achieve national and international commercial success. Due to the acid rock guitar playing of Jorma Kaukonen and the soaring twin vocals of Grace Slick and Marty Balin they scored hit singles and regularly looked out from the covers of national magazines, however ‘Thirty Seconds Over Winterland’ proved to be their swan song album as a group.
The group epitomised the drug-taking hippie ethos as well as the left-wing, antiwar political movement of their time, and their history was one of controversy along with hit records. Their personal interactions mirrored those times; the group was a collective with shifting alliances, in which leaders emerged and retreated. But for all the turmoil Jefferson Airplane, was remarkably productive between 1965 and 1972.
By the summer of 1972, the Jefferson Airplane were on their final approach to the eventual evolution that would produce Jefferson Starship, arguably the most drastic difference being the absence of Jorma Kaukonen (guitar, vocals) and Jack Casady (bass), both of whom were several years into Hot Tuna, a project that began as a musical diversion for the pair and rapidly developed into a permanent roots rock unit.
Released in 1973, ‘Thirty Seconds Over Winterland’ (cleverly named after the Mervyn LeRoy-directed 1944 film Thirty Seconds Over Tokyo) would become the Airplane’s swansong. Included were seven tracks taken from the band’s last tour of the 1970s, specifically, August 24 and 25 at the Auditorium Theatre in Chicago and the last two gigs the Bay Area combo played in its native San Francisco on September 21 and 22, fittingly held at the band’s longtime stomping grounds of the Winterland Arena. Only Kaukonen, Casady, and Paul Kantner (guitar, vocals) remained from the first lineup. They are joined by Grace Slick - who took over from Signe Anderson just prior to the recording of 1967’s landmark Surrealistic Pillow - and violinist Papa John Creach. Former Turtles and Crosby, Stills, Nash & Young drummer Johnny Barbata had come aboard in the previous year, and the latest addition was Quicksilver Messenger Service co-founder David Freiberg, whose contributions at the time were primarily vocal.
The bulk of the effort was drawn from 1971’s Bark and 1972’s Long John Silver. Although they were still performing “Somebody to Love,” “Volunteers,” and “Wooden Ships” in concert, a cursory stab at “Crown of Creation” is the earliest cut on this package that harks back to their acid rock persona. Despite some questionable intonations from Kaukonen on “Have You Seen the Saucers,” the opener quickly establishes the Jefferson Airplane’s harder edge. Kaukonen’s “Feel So Good” is the jewel in this otherwise thorny rock & roll tiara. The tune stretches over ten minutes, spotlighting Casady’s quake-inducing contributions and Creach’s unmistakable fiddle. Speaking of Papa John, he shines on the propelling “Milk Train,” featuring a seminal lead from Slick. An outtake of note from the September 22 show made its way onto the 1992 Jefferson Airplane Loves You box set. Marty Balin returned for the one-off, albeit incendiary, “You Wear Your Dresses Too Short.”
Formed in 1965, the group defined the San Francisco Sound. They were headliners at the three most famous American rock festivals of the 1960s-Monterey (1967), Woodstock (1969) and Altamont (1969)-and the first Isle of Wight Festival (1968) in England. Their 1967 break-out album Surrealistic Pillow ranks on the short list of the most significant recordings of the "Summer of Love". Two songs from that album, "Somebody to Love" and "White Rabbit", are among Rolling Stone's "500 Greatest Songs of All Time."
‘Thirty Seconds Over Winterland’ was well received by critics, earning 4.5 stars from Rolling Stone . The 1LP 180g sky blue vinyl.